História e Cultura (History and Culture)

História, meio ambiente e povos originários:

Bianca Luiza Freire de Castro França — 2025-07-15

Organizadora: Dra. Bianca Luiza Freire de Castro França

AT THE SERVICE OF LIBITINA

Thiago Eustaquio Araujo Mota — 2025-07-15

This paper aims to investigate the funerary professions of Ancient Rome and their professionals: those who served Libitina, the libitinarii. It sought to examine their regulations, hierarchies, and specialties. The primary methodology of this work was the documentary analysis of the Leges Libitinariae, an epigraphic inscription that outlines all the regulations regarding the funerary profession of the libitinarii. Literary sources from the Principate period were also used to study the specialties of these employees.

CONTEMPORARY MADNESS: RELATIONSHIPS BETWEEN THE DISCOURSE ABOUT MADNESS AND DEMON POSSESSION IN THE FILM HEREDITARY (2018).

Iuri Furini Lopes da Silva — 2025-07-15

This article is part of the study developed within the scope of Scientific Initiation. It is located in the historiographic field of Cultural History and History of Mentalities. Its purpose is to understand the approach given to the film Hereditary (2018) about madness from the relationship with demonic possession. Directed by Ari Aster, it is understood that, in filmic language, emphasis was placed on re-updating representations in the field of medieval demonology over the modern and scientific discourse of madness. Psychological horror, the film stars the Graham family, who begin to experience disturbing events after the death of the matriarch. Madness began to be covered in cinemas by the subgenre, among the most profitable. It became emblematic of characters that became iconographic in cinematographic culture, such as Dr. Hannibal Lecter and Michael Myers.

THE RIGHT TO THE AMAZON FOREST

Avelino Pedro Nunes Bento da Silva — 2025-07-15

Este artigo busca problematizar conflitos de terra a partir de relações amplas envolvendo povos indígenas e comunidades tradicionais em suas lutas pelo direito à floresta na Amazônia brasileira. Para isso, partimos da análise dos Relatórios de Conflitos de Terra no Brasil da Comissão Pastoral da Terra (CPT), importante documentação que permite analisar projetos alternativos e práticas outras de relação com o meio ambiente propostos pelos sujeitos que viviam e se relacionavam com a natureza e a floresta amazônica. A partir de suas ações políticas no campo da luta por democracia, em um período posterior à ditadura civil-militar de 1964, apreendemos perspectivas outras acerca da floresta, sendo esta valorizada através da dimensão da preservação e do uso comum dos recursos naturais e do território.

POVO XUKURU DO ORORUBÁ:

Lais Deosdede da Silva — 2025-07-15

We seek to analyze, based on the History and ancestral agricultural practices of the Xukuru people of Ororubá, inhabitants of Pesqueira and Poção/PE, the process of forest restoration in degraded areas in Serra do Ororubá, indigenous territory, a situation caused by the implementation of conventional agriculture and extensive livestock farming since the period of colonization in the region in the 17th century and agroindustry in the 20th century.

INDIGENOUS PERFORMANCES OF RESISTANCE IN HISTORY

Andrisson Ferreira da Silva — 2025-07-15

Climate crises are intensifying and contrasting with the historical struggles of indigenous peoples in Brazil. In this work, I understand indigenous thought as a theoretical and philosophical production, discussing their criticisms of the concept of “humanity” and “the fall of the sky”. I tried to reflect on the “white world” and its violence, especially the climate and its changes. I worked with the concept of “performance” to emphasize indigenous movements in national and international contexts, using images. The guiding theorists were Ailton Krenak (2020, 2022), Davi Kopenawa and Bruce Albert (2015) and Diana Taylor (2013). The aim was to reflect on climate crises, indigenous theories and the emergence of indigenous performances of resistance and struggle for life.

Keywords: Indigenous performance, Indigenous History, Resistance.

Editorial

Maria Cecília Teixeira Miranda — 2025-07-15

CAROLINAS:

Bruno Eduardo Silva — 2025-07-15

This article aims to identify some considerations about the place of black women in the world of work, based on the analysis of the diaries of the writer Carolina Maria de Jesus, published in the work 'Quarto de Despejo' in 1960. From the contributions of micro-history and Literature, it is possible to move bodies and characters to the category of subject, understanding that their expressions and ways of signifying their subjectivity have value for understanding social dynamics and precise contexts. In this way, the relationship with the category of work runs through Carolina's work from beginning to end, in a precarious relationship that links such practice to the search for survival.

“NÃO SOU ‘SHERLOCK’ DA HISTÓRIA POLÍTICA DO BRASIL, MAS SOU TESTEMUNHA DOS ACONTECIMENTOS”:

Bethânia Luisa Lessa Werner — 2025-07-15

Drawing on interdisciplinary innovations across various fields of historiography, biographies and autobiographies have once again become central subjects in historical research. Combining this perspective with reflections on women's writing practices, the purpose of this article is to present possible analyses of the work A Verdade sobre a Revolução de 22 (1974) written by Nair de Teffé. Through the presentation of the character, the diverse contextualization of her memories, and the conditions that enabled her to write them, autobiographical elements in her book are highlighted, observing the silences, narrative choices, and the reasons behind her production. In dialogue with approaches that explore the relationships between the public and private spheres, the writing of oneself, and the construction of a self-representation through it, the article presents analyses of both internal and external elements of the work and their potential contributions to research.

Djacir Menezes

Alexandre Barbalho — 2025-07-15

This article seeks to understand how an intellectual active in Fortaleza during the first half of the 20th century, situated on the periphery of a national cultural field still in the process of formation, managed to break through both geographical and symbolic boundaries and be recognized by already established or emerging thinkers, both local and national. As a premise, it is evaluated that the agent under analysis, Djacir Menezes, mobilized both his network of social relations and gathered other symbolic resources to secure his career during the time he spent in Ceará.

ONDE ANDAM AS MULHERES

Vitória Ribeiro — 2025-07-15

Our aim with this article is to understand female action in riots at the beginning of the 20th century, recognizing circulation in urban space marked by stigma and violence. Subjected to the ideal of women relegated to the domestic space and the precarious reality of working women, exposing how women got around in the city guides us to better understand their role in debates for better life conditions. We will start with contributions to the debate on riots and the moral economy, taking us to the press as a promising source for complaints. We will seek to bring considerations explored by historiography, focusing on the city of São Paulo during a period of mobilization against the housing crisis that was plaguing the city at that time.

Dos palcos à tela: a recepção de uma revista da cinematografia estadunidense no brasil de 1918 a 1921

Tatiana de Carvalho Castro — 2025-07-15

This paper aims to analyze one of the first specialized periodicals on cinema to circulate in Brazil. Palcos e Telas was a film magazine created to promote American cinema among Brazilian readers and viewers within the time frame that goes from 1918 to 1921. In this work, Palcos e Telas presents itself as an important vehicle for building the connection between the Hollywood imaginary and the Brazilian viewer and presents an interpretation of the main stars consumed by the public in question. In addition to writing about the trajectory of the periodical, this text seeks to understand the cultural influence between Brazilian popular literate culture and its correlation with the practice of watching films.

ARTE E MANIFESTO

MAXTON MOREIRA FILHO — 2025-07-15

This article aims, through the cinematographic works Hadashi no Gen parts 1 and 2, to analyze the perception of a survivor of the bombing of Hiroshima, understanding the narrative produced by Keiji Nakazawa, as something dissonant from the various “official” narratives produced during the period. The Japanese narrative in the Post-War period silences perceptions that distance themselves from the “official” way of narrating the events of that period, creating a homogenized story that discards what does not fit within this narrative. Revisionism plays an important role in this construction of the perception of a new Japan. Thus, the trauma is not seen in the face, it is buried by the discourse of a new tomorrow and the breeze of progress.

AS PERMANÊNCIAS NA CONSTRUÇÃO DA IMAGEM DE VÍTIMA E AGRESSOR EM DISCURSOS DE PROCESSOS CRIMINAIS NO BRASIL DO INÍCIO DO SÉCULO XX

Paloma Heller Dallagnol — 2025-07-15

When analyzing criminal proceedings, it is necessary to bear in mind that this document does not present a singular discourse, a discussion based only on laws and legislative codes, but a discursive web that includes various discourses that sometimes converge, however, they present different views on the same event. Likewise, it must be made clear that what is described here is a transition from the material fact (the violence committed) to a linguistic act (the speech about the fact), so it is known that there is a discursive construction about the event and not about the fact itself. Language is a factor in the construction of the subjectivity of those involved, and when it comes to sex crimes, in addition to the social and cultural construction of the crime itself, there is the construction of gender, its moral languages, its wants and desires. This construction of the image of the victim and the aggressor takes place in various ways and in various procedural segments, in the terminology used by the procedural matter, in the penal article, including in the speech of the various agents involved in the procedural dictates, in addition to the prosecutors and judges. As such, this article will look at some of the constructions and continuities in the discourses present in sex crime cases and how they influence the perception of the ideal image of victim and aggressor. This ends up perpetuating stereotypes such as that only a morally honest woman deserves to be brought to justice and that a sex offender is just a pathological individual.

THE HISTORY, MEMORY AND REPRESENTATIONS

Erika Cerqueira — 2025-07-15

The objective is to investigate the production of Gustavo Barroso (1888-1959), an intellectual dedicated to the study of Brazilian military history, in the creation of a national memory project, especially through the writing of biographies, published between the 1920s and 1940. It is considered that, by narrating the historical trajectory of the combatants, Barroso aimed to transform readers into spectators or witnesses, offering them an experience of the past. The creation of this effect of truth, through discourse, would be the main feature of the biographical narrative prepared by Barroso, committed to transmitting a living and emotional experience of the past. And yet, by exchanging historical narrative and museographic narrative, Barroso promoted a pedagogy of history, committed to the political and symbolic construction of the nation, in order to meet the needs of the present. By mobilizing nationalism and militarism, in their different ways of narrating the past, Barroso established tradition as a basic category for communication between generations. It actually promoted an order of time, because, as it testified to the monumentality of the past, it ended up ensuring a promise of the future for the nation.

THE MATERIALITY OF THE BOOK AND THE COLLECTIVE PRODUCTION OF THE FIRST EDITION OF ONE HUNDRED YEARS OF SOLITUDE (1967)

Vitória Lívia da Silva Cordeiro — 2025-07-15

This article aims to reflect on the materiality and publication of books in light of their contribution to historiographical studies of culture. To this end, the first edition of the book One Hundred Years of Solitude (1967), written by Gabriel García Márquez and published by Editora Sudamericana, in Buenos Aires, was taken as a source. The novel has a wide critical fortune, however, there are gaps in the investigation into its publication in book format and the graphic elements that compose it. In this sense, the aim is to analyze the presence of such elements in the production of the book in question, as well as to highlight the work of the various subjects who made it possible for García Márquez's typing to become the book published in 1967. Thus, this analysis is qualitative in nature. , through bibliographic and documentary research. Michel Foucault (2009), Roger Chartier (2002 and 2014), Donald Mckenzie (2018) are used as theoretical support.

Dinâmicas Internacionais da Resistência

Nathan Lermen — 2025-07-15

The article investigates different forms of resistance to the Nazi regime between 1934 and 1944, focusing on the clandestine distribution of literature deemed subversive and the formation of opposition networks. The research, grounded in studies of political resistance, incorporates legal processes, diplomatic correspondence, and newspaper articles, such as the French "Le Peuple". In this context, the study examines the interactions and movements of Swiss journalist Pierre Robert (pseudonym of Henri Bertholet) between France, Germany, and Switzerland, resulting from his involvement with resistance movements. The findings reveal that the actions of the journalist and his colleagues not only challenged the regime's repression but also established a transnational network of solidarity, demonstrating the importance of intellectual resistance and communication during this period.

ENTRE OS CONFLITOS E A COOPERAÇÃO:

Jéssica da Costa Minati Moraes — 2025-07-15

In this paper, we aim to define and discuss the barbarian migrations, specifically of the Goths, in the 4th century of the Common Era, reaching the event that culminated in the settlement of these peoples in Roman territory, under Theodosius I (347 – 395), as foederati, and how the development of this relationship culminated in conflicts and cooperation between the barbarians and the Romans. For our analysis, we will use passages from the work Getica, written by the historian of Gothic origin Jordanes, who lived in the 6th century C.E. This work tells the history and deeds of the Goths, emphasizing the complexity of the Roman-barbarian relationship. We aim to show how the barbarian migrations were not the reason for a Roman collapse, but rather an element that transformed the concepts of identity and borders in the studies of Late Antiquity.

The Game of Love:

Giovanni Bruno Alves — 2025-07-15

The main goal in this paper concerns the images of Courtly Love from English Illuminated Manuscripts made in the 14^thcentury. These manuscripts, being connected intimately with the English nobility and knighthood, reflected their interests and worries in their programs of illumination. Through those images, with the guidance of Jean Claude-Schmitt’s (2007) work on their specificities in the medieval context, we mean to study other ways of depicting the relations between man and woman and its cultural aspect, in a different medieval than the chivalric romances and literature, where such themes were popularized. We looked for two different iconographic themes: the Siege to the Castle of Love and the Game played between damsel and knight, both relevant to the understanding of the images on the relations between man and woman in this context.